![]() ![]() ![]() Some are brief remarks of only a sentence or two others recount a story over a few pages, often with discursive personal commentary added. The work was written in the zuihitsu ("follow-the-brush") style, a type of stream-of-consciousness writing that allowed the writer's brush to skip from one topic to the next, led only by the direction of thoughts. Although traditionally translated as "Essays in Idleness," a more accurate translation would be "Notes from Leisure Hours" or "Leisure Hour Notes." Themes of the essays include the beauty of nature, the transience of life, traditions, friendship, and other abstract concepts. The reasons for this are unknown, but it has been conjectured that either his unhappy love for the daughter of the prefect of Iga Province or his mourning over the death of Emperor Go-Uda caused his transformation.Īlthough he also wrote poetry and entered some poetry contests at the imperial court (his participation in 13 is documented), Kenkō's enduring fame is based on Tsurezuregusa, his collection of 243 short essays, published posthumously. Late in life he retired from public life and became a Buddhist monk and hermit. He became an officer of guards at the Imperial palace. Forged documents by the Yoshida Shinto authorities claimed that his original name was Urabe Kaneyoshi (卜部 兼好), and that his last name was later Yoshida (吉田) all of this was recently demonstrated to be false, in new research by Ogawa Takeo. ![]() Kenkō was probably born in 1283, the son of an administration official. Painting of Yoshida Kenkō by Utagawa Kuniyoshi. ![]()
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